路易·克萊爾在電影世界中度過了他的童年和少年，自幼年起，他立誌將自己的職業生涯與工業密切聯系在壹起。通過在技術工程方向的學習和深造，他最終在工業領域成為壹個技術性和商業性相結合的工程師。
 
   1968年，他重返電影行業，並被任命為法國尼斯壹家名為“維多利安”的電影工作室的技術總監。在那裏，他成立了舞臺照明和節日照明部門，並開始為當地政府提供照明方面的服務。
 
   1974年，他成立了壹家專營建築照明用燈和低壓鹵燈的分銷公司。這些鹵燈，可應用於室內照明並營造出極富戲劇性的夢幻般的氛圍。
 
   1978年，他建立了壹家德國大型室內照明器具生產公司在法國的分公司，並開始致力於發展法國本土的建築照明事業。
 
   在照明領域，克萊爾作為壹名營銷顧問，向歐洲推廣意大利及德國的照明產品。與此同時，他在法國不斷發展深化作為獨立專業照明設計師的工作。
 
   克萊爾於1983年在法國巴黎創辦了Light Cibles公司。這是第壹家獨立的專業照明工程及設計顧問公司。從那時起，克萊爾迅速成為國內照明設計領域首屈壹指的照明專家之壹。由於熟知電影藝術中對光與影的控制技巧，克萊爾的照明設計，無論是室內照明設計還是室外照明設計，都能尊崇建築本身的特性，並突出被照明物的象征意義。
 
   1990年，他的照明設計已得到東南亞地區的認可。
 
   1998年，發展到北美加拿大地區。
 
Louis Claire spent his childhood and youth in the film world, as a child, he determined to make his occupation close to industry. Through the study and further education of technical engineering, he eventually became a technical and commercial engineer in the industrial field.
 
In 1968, he returned to the film industry, and be appointed as a technology director of "Victorian" film studio in French Nice . Then, he set up the stage lighting and holiday lighting sector, and began to provide lighting service for local government.
 
 In 1974, he set up a distribution company that specializes in building lighting and low pressure halogen lamps, which can be used in indoor lighting and create a dramatic and fantastic atmosphere.
 
In 1978, he set up a branch of a giant German interior lighting production company in France, and began to focus on the development of the French local architectural lighting business.
 
In the field of lighting, Claire, as a marketing consultant,promoted lighting products Italy and Germany in Europe. In the meanwhile, he continued to develop and deepen skills as an independent professional lighting designer's work in France.
 
Claire founded Light Ciblesm in 1983, the first independent professional lighting engineering and design consulting firm in Paris France. Since then, Claire quickly became the first domestic matchless lighting design lighting expert. Due to know light and shadow control techniques of film art, his interior lighting design or outdoor lighting design always respect the characteristics of architecture itself, and highlight symbolic meaning of the illuminated object.
 
In 1990, his lighting design has been recognized in Southeast Asia.
 
In 1998, it developed to North America and Canada.